| 中文版 English

具体要求

其它要求

-
关闭
A PAIR OF GEORGE II GILTWOOD PIER MIRRORS ATTRIBUTED TO MATTHIAS LOCK, CIRCA 1755
美国 北京时间
2022年10月22日 开拍 / 2022年10月20日 截止委托
拍品描述 翻译
A PAIR OF GEORGE II GILTWOOD PIER MIRRORS
ATTRIBUTED TO MATTHIAS LOCK, CIRCA 1755
Each with cartouche form frame with a flower basket cresting flanked by ho-ho birds above a central mask within a foliate cartouche, the sides with trailing floral garlands terminating in ram’s masks above a pomegranate and a pineapple perched in bullrushes ending in a scrolled apron with a central bacchic cartouche, the border divides with floral wrapped leaves and garlands, the central plates and some border plates replaced, with printed and inscribed Ann and Gordon Getty Collection inventory label
97 1/2 in. (247.5 cm.) high, 48 1/4 in. (122.5 cm.) wide

A PAIR OF GEORGE II GILTWOOD PIER MIRRORS ATTRIBUTED TO MATTHIAS LOCK, CIRCA 1755 Each with cartouche form frame with a flower basket cresting flanked by ho-ho birds above a central mask within a foliate cartouche, the sides with trailing floral garlands terminating in ram’s masks above a pomegranate and a pineapple perched in bullrushes ending in a scrolled apron with a central bacchic cartouche, the border divides with floral wrapped leaves and garlands, the central plates and some border plates replaced, with printed and inscribed Ann and Gordon Getty Collection inventory label 97 1/2 in. (247.5 cm.) high, 48 1/4 in. (122.5 cm.) wide Almost certainly supplied to Robert Trevor (1706-1783), 4th Baron Trevor and 1st Viscount Hampden, Hampden House, Great Missenden, Buckinghamshire. Thence by descent to John Hampden Mercer Henderson, 8th Earl of Buckinghamshire. Sold from Hampden House, Curtis & Henson, Hamnett Raffety & Co., house sale, 17-22 April 1939, lots 1155-1156. J. Botibol, circa 1950. James V. Rank. Sold by Mrs. James V. Rank; Sotheby's, London, 11 July 1952, lot 128. G. Jetley. James A. Lewis, circa 1965. Eric Moller, Thorncombe Park, Surrey; Sotheby's, London, 18 November 1993, lot 87. R.W. Symonds, Masterpieces of English Furniture and Clocks, London, 1940, p.32. R.W. Symonds, 'English Looking-Glasses,' The Connoisseur, vol. CXXV (1950), p. 84, fig. XVI. G. Wills, English Looking Glasses, London, 1965, p. 89, pl. 67. This Lot is transferred to Christie’s Redstone Post-Sale Facility in Long Island City after 5.00 pm on the last day of the sale. They will be available at Redstone on the following Monday. Property may be transferred at Christie’s discretion following the sale and we advise that you contact Purchaser Payments on +1 212 636 2495 to confirm your property’s location at any given time. This Lot is transferred to Christie’s Redstone Pos… Read more THE HAMPDEN HOUSE MIRRORS
Lot Essay This magnificent pair of large pier mirrors was supplied to Robert Hampden-Trevor, 4th Baron Trevor, later 1st Viscount Hampden (1706-83) as part of the extensive refurbishment and renovations of Hampden House, Buckinghamshire, in the 1750s. With their rich variety of naturalistic and Roman ornament, these mirrors are among the earliest and most ambitious examples of what would become known as the Rococo or ‘Modern’ taste, which was a marked departure from the strictly Roman inspired Palladian aesthetic. They are attributed to the virtuoso carver-designer Matthias Lock (fl.1724-1769) and closely relate to two drawings in his published design books: one in his earliest publication, Six Sconces, from 1742 (reproduced online) and an adaptation of this design in A New Book of Ornaments in 1752. (M. Hecksher, ‘Lock and Copeland, a Catalogue of Engraved Ornament, Furniture History, 1979, pl. 23). With their asymmetry, lush naturalism and Chinese themes, Lock was the first to publish a comprehensive oeuvre of furniture designs in the rococo style. They presaged his now renowned contemporary, Thomas Chippendale (1718-1779), whose iconic Gentleman and Cabinet-Maker’s Director in 1754 became the template for generations of furniture designers. Although no specific drawings or records exist, Hampden House’s refurbishment was initiated by Lord Hampden’s cousin, John Hampden (d.1754), and completed by Lord Hampden upon inheriting the estate and assuming the additional surname Hampden in addition to Trevor. A diplomat, art collector and talented amateur architect, Lord Hampden’s surviving drawings include plans for public and private buildings, monuments and potential commissions for his contemporaries, including a ‘Hospitable Nobleman’s Kitchen’ in the records of West Wycombe Park, Buckinghamshire (H. Colvin, A Dictionary of British Architects 1600-1840, New York, 1978, p. 837). Surviving records in the Hampden Estate archives indicate Lord Hampden was consulted by his cousin in the 1750s, hardly surprising with his architectural background. There is also a mention of the Palladian architect Edward Shepherd (d. 1747) supervising the renovations at Hampden House from 1743-46 but there are no indications of specific work based on his designs. However, Shepherd’s origins as a plasterer would suggest he is responsible for the delicate plasterwork that dates from this period. Regardless, Lord Hampden was undoubtedly actively involved if not personally directing any renovations after his inheritance as well as the subsequent furnishing of the interiors. The mirrors were very likely supplied to the ‘Indian Room,’ a small room with plasterwork and chimneypieces that adjoined the State Bedroom where they are recorded in an 1886 inventory of which one appears in an 1893 photograph (Buckinghamshire Record Office AR 5/73/1/21-2). With his architectural background, it is entirely possible that Lord Hampden may have commissioned these mirrors directly from Matthias Lock. Hampden was deeply interested in art and was known to have had one of the best collections of drawings and engravings in the country (H. Colvin, A Dictionary of British Architects 1600-1840, New York, 1978, p. 732) so he would certainly have been aware of Lock either from his published engravings or from earlier commissions for other patrons. For Lock, a man his posthumous publisher Roger Sayer called ' the best Draftsman in that way that had ever been in England’, it would be a matter of moments to create a so-called ‘unique’ design for an independent client by combining elements from two previous publications. This manner of adaptation was a common practice among architect-designers and one Lock would have seen firsthand thanks to his execution of earlier commissions from the Palladian architect-designers William Kent and Henry Flitcroft, both of whom used earlier designs as templates for later work. In addition to this pair of mirrors, the Hampden commission also included at least one other pair which are another iteration of Lock’s published designs. Featuring busts of Chinamen, they have a more significantly arched cresting within the same similar division of mirror plates. These mirrors were also sold in the 1939 sale of the contents of Hampden House (lots 1155-56) as well as the Moller collection and were most recently sold in the Kentshire sale at Sotheby’s, New York, 18 October 2014, lot 321 ($149,000). Other related mirrors attributed to Lock include a single mirror by Matthias Lock and signed James Hill, sold anonymously at Christie’s, London, 6 July 2017, lot 13 (£87,500) and a pair supplied to Ramsbury Manor, Wiltshire (R. Edwards and P. MacQuoid, The Dictionary of English Furniture, vol. II, p. 339, fig. 72) and subsequently sold by the Trustees of the late Sir Francis Burdett, 8th Bt., at Christie’s, London, 22 October 1953, lot 111. THE PROVENANCE Unlike many country houses which were simply razed and rebuilt by subsequent owners to conform to current fashions, Hampden House underwent several significant renovations which are hidden under its current Georgian Gothic exterior. The earliest part of the house dates from the 1350s followed by Elizabethan and Jacobean additions. Beginning in the 1720s, Lord Hampden’s cousins, John and Richard Hampden were responsible for the next large series of renovations which were concluded by Lord Hampton who in the 1750s added the battlements and covered the exterior with stucco to become the Georgian Gothic residence it remains today. With the extinction of the Hampden-Trevor Viscountcy in 1824, Hampden House passed to George Robert Hobart (1789-1849), the 5th Earl of Buckinghamshire, and became the principal seat of the Earls of Buckinghamshire until the contents were sold in 1939. The mirrors were sold separately and were subsequently reunited by the London dealer J. Botibol in the 1950s. They passed through several hands before they entered the Moller collection in the mid-1960s. Eric Moller (d.1988), the shipping magnate, celebrated racehorse owner and polo player along with his brother, Ralph, formed superb collections of English furniture under the almost mythical guidance of R.W. Symonds. Eric Moller began collecting shortly after his marriage in 1943 when he purchased Thorncombe Park in Surrey. Both of the Moller brothers' collections formed the basis of Symonds' 1955 Furniture Making in 17th and 18th Century England, which became a benchmark reference book for future connoisseurs as well as an invaluable document in the history of collecting. In addition to the Mollers, Symonds advised some of the most legendary 20th century collectors of English furniture, including Percival Griffiths, J.S. Sykes, Jim Joel and Samuel Messer. Two other lots from the Moller sale are also in the Getty collection: a pair of George II mahogany library commodes (Lot 629) and a pair of George II giltwood pier tables (Lot 448).

本场其它拍品

  • 竞价阶梯
  • 快递物流
  • 拍卖规则
  • 支付方式
竞价区间 加价幅度
0
10
100
50
500
100
1,000
200
2,000
250
5,000
500
10,000
1,000
20,000
2,000
50,000
5,000
100,000
10,000
+

价格信息

拍品估价:200,000 - 400,000 美元 起拍价格:200,000 美元  买家佣金:
落槌价 佣金比率
0 - 1,000,000 26.00% + VAT
1,000,000 - 6,000,000 20.00% + VAT
6,000,000 - 以上 14.50% + VAT
服务费:平台服务费为成交总金额(含佣金)的3%

拍卖公司

Christie's
地址: 20 Rockefeller Plaza New York
邮编: NY 10020
向卖家提问

小贴士

1. 一般拍卖公司接受的付款方式有以下几种:
现金、信用卡、转账汇款、银行支票、个人支票以及PayPal支付。
使用PayPal支付时,请留意需要在账单金额的基础上额外加上 4% 的手续费。
2. 信用卡的种类有以下几种:
3. 转账汇款时请注意银行手续费
海外拍企会要求足额到账,所以请您在汇款时,选择足额到账,或在汇款金额的基础上加上汇款手续费(如25美金)。
4. 国际转账汇款时, 您需要知道海外拍卖行以下汇款信息:
* 收款人名称
* 收款人地址
* 收款人银行账号
* 收款银行国际编码(8位字母数字组合,必填项, 如: BFKKAT2K)
* 收款银行清算码(9位数字组合,选填项)
* 收款银行名称
* 收款银行地址
5. 运输相关事项
有的海外拍卖行会替您安排和协调运输, 您只需要支付相关的运费及保险费(如您需要)即可;有的海外拍卖行会推荐几家长期合作的运输公司, 这些运输公司有着良好的信誉和高质量的工作效率,您大可放心。您只需要提供您的收货地址, 竞得拍品账单。 运输公司会根据您提供的信息给您报价, 您可以在其中选择最优的报价者来承担运输任务。然后就是付款了, 信用卡是最常用的支付手段, 当然还有其他像PayPal,转账等。
6. 进口通关可能出现的关税
国际运送的包裹在进口清关过程中如需支付关税,需由包裹接受人(即买家)自行承担。 征收标准:具体征收标准和额度以海关通知和解释为准。
7. 禁拍拍品
海外拍卖会可能会出现中国法律禁止交易的物品,如枪支、管制刀具、象牙、犀角等;中国买家不得通过本平台参与上述物品的拍卖活动;任何情形下,买家均须对自己的竞拍行为独立承担责任。
服务热线:400-608-1178
查看全部小贴士