Antonio CANOVA [attribuito a]. Allegorie della notte. Studi di figure. Secoli XVIII-XIX Penna e inchiostro. Carta vergellata molto fine. Foglio di mm. 149x116. Lieve ingiallimento e qualche traccia di foxing. Il foglio presente quattro schizzi. In primo piano la figura più grande raffigura una donna seduta con il capo reclinato e appoggiato su un braccio. Questo disegno a penna ricorda l’album di disegni del Canova ove si trovano alcuni schizzi raffiguranti una signora con la crocchia. Le gambe della sedia sono identiche a quelle in cui sono ritratte Letizia Ramolino Bonaparte, (1804-1807) e la Musa Polimnia (1812-1817).Francesco Leone, La figura femminile ritratta seduta, in “Canova la Bellezza e la Virtù Catalogo”, Torino Hapax 2015, pp. 146-159; G. Marini in Antonio Canova, catalogo mostra, Venezia, Museo Correr, 1992, catt. 56-57, ill.
Condition Report
Attributed to Antonio CANOVA. Allegories of the night. Studies of figures.XVIII-XIX centuries Pen and ink. Very fine laid paper. Sheet of mm. 149x116. Slight yellowing and some traces of foxing. The sheet presents four sketches. In the foreground, the largest figure depicts a seated woman with her head leaning on her arm. This pen drawing recalls Canova's drawing album where there are some sketches depicting a lady with a bun. The legs of the chair are identical to those in which Letizia Ramolino Bonaparte, (1804-1807) and the Muse Polymnia (1812-1817) are portrayed.
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